![]() I started to create melodies, and I can say that it was a little challenging, in the sense that it is difficult to make a song with three singers. But there are some that perhaps have a special meaning, for example, Monchy & Alexandra’s song. All the songs that I have in this production, I wanted them to have the potential to be hits. Well, look, honestly they’re all special. If the producer does not like it, it does not matter what kind of promotion you do in the social networks, but definitely this is a process in which I am learning much more how to handle myself in this cyber world.įrom this album, what is the collaboration that you consider the most important? ![]() In the end, the product is the essential thing. I realized how shocking and important and fundamental the marketing was to see how people connect with production. … It happens that I was going to have the album finished for the last week of March and then I thought, “Maybe make a little joke on April Fool’s Day.” And everything was falling in the right place to give a good marketing at the level of social networks. Some things were organic, it was not that I sat down at the time of recording the production and said, “I’m going to do this to announce it.” There were things that happened and they were like wow. This production, Utopia, fell at a good time where I was more accustomed to uploading things, and what I did was play a bit with marketing. If someone wants to evolve, they need to adapt to the times. The fans demand that the artist has more connection with them at the network level, and I understand it and I respect it. It’s been two years in which I have been uploading more content and I have definitely noticed the difference. I still need a lot of wisdom in what social networks are. I see you are very active with your social media. ![]() You come from a time when album sales were made with physical CDs and you have adapted so well to the changes. Romeo Santos' 'Utopia' Album Tributes Traditional Bachata: Stream & Listen The entire production took about six months. I would mount the instruments in my recording studio, tell the artists to download if they were available. I believe that I recorded 80% of the songs while on tour in the Golden Tour, when I had free time. So that’s where I really started structuring this, and by the grace of God, all of them said, “Yes, I’ll be there,” and that’s when I felt a little more comfortable and started working on the project musically. Since if only one of them did not say take part in the production, everything was ruined. Before doing any kind of movement, musically speaking, to prepare and compose songs, the first step was to talk to each of them about the concept of production. And I said, “Wow, if I do not put batteries - as they say in the Dominican Republic - and I do not give priority to it, and I do not start to approach these artists, I will never really achieve it.” Then I started calling all the collaborators as a first step. It is no secret that we are in urban season. I was on the Golden Tour and I started to notice what is happening with tropical music. I was working on another production, and I didn’t give it the necessary priority to make it happen. The Kid Mero, a fellow Dominican, hosts the documentary and will guide viewers both through the roots of the genre and Santos’ influence on it.Well, I had this production in mind about six years ago, and every time it crossed my mind to start the project, there were other commitments. Romeo Santos: Utopia Live from MetLife Stadium will spotlight the Dominican star’s record-breaking concert, while King of Bachata will follow Santos’ legacy in the world of bachata as he travels through the countryside of his home country. “For the film to showcase my upbringing and build up to my performance at MetLife Stadium, where I became the first Latin artist to sell out the venue, it gives me an opportunity to relive one of the most incredible nights of my life while also bringing it inside the homes of my fans across the world.” “These films have been such a special project for me, and I’m honored and eager to show it to the world and pull back the curtain on the history of bachata,” Santos said in a statement. Both films will premiere June 25th on pay-per-view. Romeo Santos has announced that he’ll be releasing a concert film, Romeo Santos: Utopia Live From MetLife Stadium, as well as a behind-the-scenes documentary, Romeo Santos: King of Bachata.
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